by TRC_Admin | Jun 23, 2021 | Codes, Controversial, Environmental, Placemaking, Zoning
…”Jacksonville has long approached downtown development in a secretive and piecemeal fashion, and over the last few weeks this has resulted in several different groups offering up competing plans for parts of the city center.
It’s time for Jacksonville to create something many cities with successfully revived Downtowns have done: create a comprehensive, strategic, publicly vetted Downtown master plan.
What would a Downtown master plan do?
The City of St. Petersburg, through the Downtown Waterfront Master Plan, envisions a continued legacy of preserved and enhanced open space that is inclusive and offers opportunities for all.
Essentially, a Downtown master plan is simply a long-term guide for future planning and development. Very many cities have master plans for their downtowns, from Atlanta, Georgia to Erie, Pennsylvania and everywhere in between. One of Jacksonville’s peer cities, Oklahoma City, has seen a tremendous impact from its elaborate plans, both inside and outside Downtown.
Common elements of master plans include:
– Defining public, semiprivate, and private amenities Downtown
– Laying out the concrete, longterm vision for key public sites and amenities
– Determining areas to cluster complementing uses in a compact setting
– Identifying primary streets (high traffic commercial corridors) versus secondary or service streets
– Identifying locations and timelines for public amenities that may spark private development
– Creating an implementation schedule for moving development phases forward.
– Community outreach and engagement to ensure the stated vision matches the vision of citizens.
A master plan should not dictate what takes place on private property; instead it should focus on public amenities and making sure land use policies and zoning are set up so that private owners can achieve their property’s fullest potential. In general, a Downtown master plan allows a city to guide development over time, instead of just putting a library here and a museum there like a SimCity player who just got the game and hasn’t quite gotten the hang of it yet.
Why don’t we have one?
A rendering from the Downtown Savannah 2033 Master Plan
According to the Downtown Investment Authority (DIA), we do. They have referred to the Downtown Community Redevelopment Area (CRA) Plan released in 2015 as the city’s “Downtown master plan”. As DIA CEO Lori Boyer told the Jacksonville Daily Record in February 2021, “In recent months we have repeatedly heard from members of the public and in the media that there is no master plan for Downtown and we are simply looking at projects piecemeal… In fact there is.”
The Jaxson argues that the 2015 CRA Plan is not a true master plan. Or at least if is, it’s a bad one. The CRA Plan is a decent start with a lot of positive features, but just doesn’t have many elements that absolutely should be in any true, effective, comprehensive master plan. For example, a master plan should show the community’s intention and vision for publicly owned properties. If Downtown Jacksonville is going to have a new convention center, the master plan should specify the site, how it will be funded and the timeline for its construction. If Amtrak and passenger rail is going to return to the Prime Osborn, the master plan should estimate when it will happen and how much it will cost so that those developing nearby blocks can coordinate their efforts. The CRA plan doesn’t do this.
The DIA has contracted consulting firm GAI (no relation) to draft a broader plan for Downtown to be released later this year, which is apparently an update to the 2015 CRA Plan. It’s not clear what it will include, but some signs are encouraging; for instance it will encourage more sidewalk dining and restaurants. Other signs are… less encouraging. For example, one significant element of the plan is rebranding effort for Downtown neighborhoods. The city got an early taste of how that’s going recently when DIA released their survey proposing, among other things, to rename Downtown’s Northbank and Southbank with goofy marketing-speak names, “NoCo” and “SoBa.” Jaxsons on social media gave that one a fat No-Go.
But whatever this plan includes, if it doesn’t include, for instance, the longterm vision for key catalytic public sites, including along LaVilla’s long overlooked historic Broad Street corridor, we are in fact looking at projects piecemeal. That means Downtown will remain in the dark when it comes to leveraging the private sector, gaining public support and encouraging certain types of uses in key locations. In other words, it’s still not a true master plan.
Jacksonville’s past experience with plans
A sketch of the 1971 Downtown Master Plan
Jacksonville is no stranger to plans of various kinds. The city adopted a Downtown master plan in 1971, though it didn’t follow up on most of the recommendations, and the piecemeal approach it took just made the situation worse. In 1987, this was followed by the Downtown initial action plan. In the plan, KBJ Architects noted that “All too often plans for downtown are just that. They ignore the political, financial or market realities of downtown and end up on the shelf ignored.” You know where this is going: that plan also ended up on the shelf, largely ignored. In 2000, Mayor John Delaney sponsored Celebrating the River: A Plan for Downtown Jacksonville, with updates to the previous unrealized plans. His successor Mayor John Peyton embraced this plan, but then, nothing. It wasn’t followed and ended up on the shelf.
Other plans include the Mobility Plan and a forthcoming bike master plan, and numerous studies commissioned by various public and private entities. It’s totally reasonable for Jaxsons to be skeptical of another plan or study. But other cities’ experiences prove that a good master plan, when well designed and followed up upon really can have positive effects. It’s a matter of devising a good plan and then seeing it through over the years.
And anyway, the track record for not having or following a plan isn’t any better.
No plan means a whole lot of contradictory plans
Developer Steve Atkins’ $1.1 billion Riverfront Jacksonville Master Plan proposed for Jacksonville’s Northbank Riverfront
One result of the lack of a master plan for Downtown Jacksonville is that, as interest in redevelopment heats up, various groups have launched their own. In the last few months alone, Steve Atkins’ SouthEast Development Group, Shad Khan and the Jaguars, advocacy group Riverfront Parks Now, the Jacksonville chapter of the American Institute of Architects and the Jessie Ball DuPont Fund have all announced, completed or happen to be in the stage of working on various visions for parts of Downtown. And in addition to the DIA’s work on the updated CRA plan, the agency is also wrapping up a design competition for the future of Lenny’s Lawn – sorry, Riverfront Park – to replace the old Jacksonville Landing.
The problem with this is obvious. We now have an array of competing plans and visions that don’t jive with each other and are unlikely to match whatever DIA is working on. The DIA may not feel it’s looking at projects piecemeal, but everyone else certainly is. And that’s not their fault; they’re working without a publicly accessible master plan. This is the peril of not working with what you already have. Redevelopment becomes a lot easier, less time consuming and far more affordable when looking at the entire downtown area holistically, understanding what we can and can’t do with certain spaces and then coordinating adaptive reuse and infill projects within those parameters and guidelines. These are certain elements of a master planning process that the existing CRA plan largely lacked.
As we’ve argued before, the lack of a comprehensive, strategic, publicly vetted master plan continues to hold Downtown Jacksonville back. The city government has acquired a reputation for making big decisions behind closed doors and keeping the public out of the decision making. When decisions are made in bubbles like that, they don’t get vetted or exposed to other potential solutions and better ideas. And the citizens footing the bill don’t get a chance to say what they really want to see in their Downtown.
Where we go from here
A vision for Brevard Street in the draft version of Charlotte’s 2040 Center City Vision Plan
The DIA should take the opportunity provided by the CRA plan update to really get things right. They should make sure the plan includes elements from Downtown master plans in other cities that have successfully revitalized. In doing this, it’s absolutely crucial that they bring the public in before, not after, the plan is developed. It can’t be just a panel of preselected “stakeholders” or an online survey. Think about it this way: if there had been public input on the Downtown branding project, terrible names like “NoCo” and “SoBa” would have been shot down before being released in the wild only to be torn apart.
Let’s do the right thing here: let’s give Downtown Jacksonville the comprehensive, strategic, publicly vetted master plan we’ve always needed but never had – and stick to it.
Bill Delaney and Ennis Davis, AICP, Editorial in The Jaxson Mag
Read entire article here
by TRC_Admin | Jun 15, 2021 | Codes, Controversial, Environmental, Placemaking, Trees, Zoning
Photo: Gallery in Jacksonville Daily Record
“Jacksonville developer Steve Atkins says he wants to lead a nearly $1.1 billion redevelopment of mostly city-owned property, including the former Jacksonville Landing, on a stretch of the Downtown Northbank riverfront.
At an invitation-only event June 1 at the Florida Theatre, Atkins presented his ‘Riverfront Jacksonville’ redevelopment plan for about 25 acres along the St. Johns River.
Atkins, who is SouthEast Development Group LLC managing director, says he will try to persuade the city and Downtown Investment Authority to pay for $536 million in a public-private partnership to build 1.8 million square feet of space from the former Jacksonville Landing to the former Duval County Courthouse and old City Hall site, rebranded in 2020 by DIA as The Ford on Bay.
City buy-in
As of May 28, DIA staff and Mayor Lenny Curry’s administration have seen all of SouthEast’s master plan work, according to Atkins.
It is unclear if city officials are willing to accept Atkins’ request for about $500 million in tax money.
Atkins said Goldman Sachs and Piper Sandler together committed to financing the estimated $1.1 billion upfront if the city agrees to an incentives package to repay its share over time…
With all but 2.5 acres targeted as publicly owned, Atkins also would have to convince city officials to change or integrate taxpayer-backed development plans active on the riverfront…
The city also awarded nearly $375,000 in stipends to three national firms in March for a competition to design a 4.5-acre public park at the former Landing site with a selection expected in October.
The DIA and city have renamed the site Riverfront Plaza. DIA CEO Lori Boyer said a plan to put the remaining land on the market for private development after park construction is underway.
Atkins said SouthEast’s team recognizes the park competition but did not commit to keeping the design selected by the DIA should the city agree to work with him.
‘I’m hoping that some of the best (park) ideas are things that we might be able to collaborate with folks on in this plan,’ Atkins said…
Next steps
A spokesperson for Atkins said SouthEast said in a May 30 email the company plans to formally approach the DIA in July with a development proposal.”
— Mike Mendenhall, Jacksonville Daily Record
Read entire article
For a gallery of renderings of Riverfront Jacksonville, click here
by TRC_Admin | Jun 15, 2021 | Mural
Photo: Wynwood BID
“Go for a walk in Wynwood and you’ll see the colorful, detailed work of street artists and graffitists whose creations have made the neighborhood a world-renowned destination. Along some storefronts, masquerading as art, you’ll also see advertisements for liquor companies, beers, designer clothing, Netflix specials and television shows, and chocolate milk.
Now, the Wynwood Business Improvement District (BID) is fighting what its board characterizes as the commercialization of Miami’s famed arts district.
‘Since the beginning of 2021, we’ve counted more than 20 advertisement murals,’ Manny Gonzalez, executive director of the Wynwood BID, tells New Times…
The Miami 21 zoning code for Wynwood prohibits signs or ‘advertising devices of any kind’ that are visible from a public right-of-way. The city’s planning and zoning code on murals regulates where such pieces of art can be displayed. Artists are required to apply for mural permits, which are issued by the city manager once the artist meets certain criteria, including payment of fees.
Once an artist has acquired a mural permit, they can obtain all the building permits the city requires for a mural to be put up. Applicants are required to comply with all the terms set in the zoning code or risk having their permit revoked and being disqualified from applying for future mural permits.
Although the zoning code allows for murals to have a ‘limited commercial sponsorship message,’ the Wynwood BID says most of the advertisement murals going up in Wynwood are unpermitted.
The business that allowed the Jack Daniel’s mural, for example, was slapped with a citation for violating the Miami 21 code by ‘illegally erecting, placing, or mounting an outdoor advertising sign.’ The proposed correction on the citation was for the business owner to take down the advertisement or acquire a permit. Each code violation carries a fine of $1,000 per day until the issue is resolved.
The zoning code says fees can be charged to the artist who creates the mural, the person or company who commissions it, the owner of the property where the mural is placed, the advertising sponsor of the mural, or the person or company who owns or licenses the product being advertised.
‘This past year and a half, there seems to be a middle person contacting major companies and telling them it’s OK to put advertisement murals in Wynwood,’ Gonzalez speculates.
Gonzalez says the BID believes this middle person is being paid tens of thousands of dollars to secure advertising space and to hire the artists to create the murals. That complicates enforcement, according to Miami police Cmdr. Dan Kerr, because the fine is no match for the lucrative potential of bringing advertisers to the area. Kerr, a self-proclaimed fan of all things Wynwood, says his concern is that artists might not know about the zoning code or that they can be cited for painting the murals.
In March, for example, Kerr says he talked to an artist creating a commercial mural who was oblivious to the zoning regulations.
The artist was told to paint by whoever they were working for,’ Kerr says. ‘Under the guise of hooking the artist up with a gig and money, the people commissioning the artists are jeopardizing them civilly. That’s one thing that bothers me.’ Kerr and Gonzalez say local artists and taggers will sometimes spray-paint over the advertising murals to make a point about commercialism not being welcome on the neighborhood’s walls.
‘For 15 years, the neighborhood has been a haven for artists to portray art to the public,’ Gonzalez says. ‘If you are a true artist of graffiti in Miami or in South Florida, it’s basically against the moral code of the artist to do advertisements. Your reputation is everything.’
But some artists say that art isn’t free and painting advertisements is a good way to make money to pay the bills so they can have leeway to work on passion projects.
One artist, who asked New Times not to identify them by name, says advertisements in Wynwood have been a problem for a long time, but they just recently became a problem for the BID.
‘The question for me is, is it really a problem? Or is this the only way artists can get paid in Wynwood?’ the artist says. ‘I make murals in Wynwood. I always try pushing the art and keeping it relevant. I think the problem is more than with advertisements. The advertisements are needed because no one pays the artists in Wynwood. The property owners don’t really like to pay for art.’
The artist says he believes advertisements in Wynwood are a positive phenomenon because artists have bills to pay and families to support just like everyone else. But he agrees there should be some regulations and controls. A painted Jack Daniel’s bottle ‘does nothing for the culture,’ he says. But there are ways to promote products, such as by creating a piece of work with a small tag underneath or on the side that says the art is sponsored by a particular company.
Museum of Graffiti co-founders Alan Ket and Allison Freidin say they too are supportive of commercial art that allows artists to get paid.
Freidin says there aren’t a lot of opportunities for graffiti artists to make money, so any deal that allows them to showcase their talents and take home a paycheck is ideal…”
— Alexi C. Cardona, Miami New Times
Read entire article
by TRC_Admin | Jun 15, 2021 | Historic
Photo: In Keys Weekly
“The fifth version of the Key West jail in Jackson Square on Whitehead Street was built in 1892 after a fire had reduced much of the island’s commercial center to ashes a few years prior. With 18,000 residents at the time, the city of Key West was the most populous in Florida, and a stately and solid jail and courthouse was designed to symbolize that pride — not to mention provide a more fireproof facility.
An African-American child of slaves, Charles Fletcher Dupont was elected sheriff in 1888 and was helping to oversee the jail. In 1891, he prevented the attempted lynching of two pro-Spain Cubans accused of murdering a pro-independence Cuban.
Such stories are just the tip of the iceberg for the old Key West jail on Whitehead Street, and, fittingly, it is now in phase three of a renovation that will turn it into a museum, hopefully to open for the 2022-23 tourist season.
The project and construction were approved by the Monroe County commission at its April 21 meeting and is being guided by the Key West Art and Historical Society. The plan is to build a museum that recreates a circa-1900 jail experience and tells Monroe County history. Whitehead Street 500 block looking south from Courthouse about 1900. Monroe County Library Collection.”
— Charlotte Twine, Keys Weekly
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by TRC_Admin | Jun 15, 2021 | Roundabouts
Photo: Kane Kaiman
“They’ll be coming round the island when they come.
Funding for the construction of roundabouts at some Anna Maria Island intersections could be available in 2030, according to the Sarasota/Manatee Metropolitan Planning Organization’s 2020-45 long-range plan.
Roundabouts could come sooner depending on the timing of the Florida Department of Transportation ‘Complete Streets’ project studies and municipal undertakings in Holmes Beach.
According to the cost-feasible outline of the MPO’s long-range plan, three island intersections could receive roundabout construction funding in 2030:
Cortez Road at Gulf Drive in Bradenton Beach
East Bay Drive at Manatee Avenue in Holmes Beach
Gulf Drive at Manatee Avenue in Holmes Beach”
— Kane Kaiman, The Islander
Read entire article
Additional roundabout projects:
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Sebastian
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Osprey
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Daytona Beach’s A1A and ISB intersection no longer targeted for a roundabout